Photo Credit: Kenia Godard
It was a sort of divine, grand experiment: Could we bring a distinctly African worship seminar, in both sound and staff, to Cambodia? What would happen when drums and Township Gospel met chimes and Temple Karaoke? Would it all be lost in translation? Would the catch phrase, “From the Nations to the Nations,” survive being put to the test? We had five weeks in the hot season (and let me tell you it was REALLY hot) to find out.
Average Temperature: “Frying Pan”
Tastiest Treat: “Fried Spider”
School Catch Phrase: “A ‘notha Level!”
(There’s something spectacular about Cambodian’s declaring: “It’s A ’notha Level!” complete with a South African accent.)
YWAM Muizenberg, South Africa staff, Kevin and Tonya Stanfield (USA), Billy Edwards, MJ Abrahams (South Africa), Kenia Godard (Columbia), and Fy Rasolofoniaina (Madagascar), joined forces with the incredible YWAM Battambang base to pull off the second Sound of the Nations School in Cambodia (and discover a whole new appreciation for air conditioning). Let me quote a student’s blog to tell you more:
“The purpose of this course is to dig deeper into worship, raise up local worship leaders, and encourage authentic ethnic song writing! There is a distinctive lack of contemporary ethnic Cambodian songs… God made this country’s sound exquisite and totally unique. It would be so sad to miss out on their expressions of worship!” – Caroline Clymer
Writing a song may seem easy to some, but creating unique music requires a freedom of soul and a confidence that goes beyond the skill of one’s voice: An assurance is needed, one that runs deep and quiet, whispering of the unique song that resides within each one of us… and that this song, my song, is worth hearing. It is, in fact, God’s song too.
So did the divine experiment succeed?